Fuck Yeah, Book Arts! |
A blog for creative types interested in the (un)conventional world of Book Arts! Posts here will feature artist's books, illustration, book binding, typography, sketch-booking, scrap-booking, print-making, paper making, altered books, how to guides, zines, paper engineering and more! Feel free to submit your own work, thoughts around the subject, or even just inspiration new and old.
Happy researching! Fuck Yeah, Book Arts! Archive
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Book Art by Jodi Harvey-Brown
Bus Ticket book (300 journeys) by Adele Outteridge
Everyday objects might not mean anything when it is stand alone. but when it is bounded together, the message is strong and clear.
The Great Diary Project has been set up to provide a permanent home for unwanted diaries of any date or kind. The collection now contains over 2000 diaries, and is adding to this resource as extensively as possible. Once part of the collection, all diaries are housed according to up-to-date conservation standards. All diaries will be catalogued for the Project database, the contents of which will be made freely available to researchers and interested readers, who can consult the originals in Bishopsgate Institute reading room in London. Both Stephen Fry and Boris Johnson are patrons of the ever-expanding project, and anyone who has old or unwanted diaries can be sure that the Institute will take them in gratefully and look after them.
Diaries are among our most precious items of heritage. People in all walks of life have confided and often still confide their thoughts and experiences to the written page, and the result is a unique record of what happens to an individual over months, or even years, as seen through their eyes. No other kind of document offers such a wealth of information about daily life and the ups and downs of human existence. The Project’s idea is to collect as many diaries as possible from now on for long-term preservation. In the future they will be a precious indication of what life, in our own time, was really like.
(Source: justindanks)
Anonymous asked: i've been following for a while now and i just have to confess that, as much as i enjoy and am inspired & awed by the art you share, the pieces that have repurposed old books in particular make me incredibly uncomfortable sometimes. it's weird to both enjoy the pleasurable visual aspect of something while also feeling uneasy with it. thanks
Hi there! Altered books are indeed a contentious artform, and you might be interested in reading previous discussions I’ve had about them here.
I will admit, I too was once uncomfortable with altered bookworks/sculptures when I first came across them, under the umbrella term of ‘Book Arts’. But then again, I’ve found most bibliophiles like myself have a tendency to overly fetishize the book, and it’s important to recognize and question this inclination within ourselves.
The reality of the matter, however, is that these days most developed countries/societies are privileged enough to contain a superabundance of books of all genres, and of a variety of arguably questionable value.
For instance: 50 Shades of Grey, the fastest selling paperback of all time, is seen by many as a harmless form of escapism; a commodity and a vessel of entertainment, but how important is it to you really as an object of beauty to collect and proudly display on your bookshelf? As a physical object, how does it compare to an old hardback Jane Austen novel or a collection of Oscar Wilde’s poetry? Are these books largely seen as more valuable because of their content, historical significance, or because books of previous decades were made with higher quality paper + artful binding, unlike today’s cheaply produced paperback?
For me, I think the value of the book lies with the individual reader- and there will always be someone out there who will cherish even the most obscure of titles. As a result, it’s hard to judge which books are therefore “sacred” and which are superfluous, and allowed under the artist’s knife…
However, you just need to visit your local secondhand bookshop to see hundreds of volumes sitting there, quite literally homeless and decomposing. A great deal of altered book artist’s source their books from these bargain bins, or even salvage books which were due to be pulped anyhow. In these instances, the artists could be viewed as granting these objects a new lease of life, upcycling them into objects of beauty.
Anyway, that’s my 2 cents on the matter! Thanks for sharing your thoughts :) x
Book braiding installation for my first critique tonight.