Fuck Yeah, Book Arts! |
A blog for creative types interested in the (un)conventional world of Book Arts! Posts here will feature artist's books, illustration, book binding, typography, sketch-booking, scrap-booking, print-making, paper making, altered books, how to guides, zines, paper engineering and more! Feel free to submit your own work, thoughts around the subject, or even just inspiration new and old.
Happy researching! Fuck Yeah, Book Arts! Archive
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-This is The Book of Crossroads. Open it when you are alone, and it will show you your future, show you what must be done.
-But there’s nothing in here. (Pan’s Labyrinth 2006)
(Source: markwahlbergsthirdnipple)
The Lost Sketchbook of Guillermo del Toro:
Filmmaker Guillermo del Toro put all his ideas for `Pan’s Labyrinth’ in a notebook — then lost it.
The heavyset man ran down the London street, panting, chasing the taxi. When it didn’t stop, he hopped into another cab. “Follow that cab!” he yelled. Guillermo del Toro wasn’t directing this movie. He was living it. And it was turning into a horror tale.
The Mexican filmmaker keeps all of his ideas in leather notebooks. And Del Toro had just left four years of work in the back seat of a British cab. Unlike in the movies, though, Del Toro couldn’t catch the taxi. Visits to the police and the taxi company proved equally fruitless.
Del Toro’s films — “Chronos,” “The Devil’s Backbone,” “Blade II,” “Hellboy” — typically feature magical realism. Fate was about to return the storytelling favor.
The cabbie spotted the misplaced journal. Working from a scrap of stationery that didn’t even have the name of Del Toro’s hotel (just its logo), the driver returned the book two days later. An overwhelmed Del Toro promptly gave him an approximately $900 tip.
The sketches and the ideas in that misplaced journal — four years of notes on character design, ruminations about plot — were the foundation of “Pan’s Labyrinth,” a child’s fantasy set in the wake of the Spanish Civil War.
The director, who at the time wasn’t even sure he’d actually make “Pan’s Labyrinth,” took the cabbie’s act as a sign, and plunged himself into the movie.
(Source: Los Angeles Times)
“This is one of the most incredible animations I have ever seen. Mikey Please sent me over a link to his latest film The Eagleman Stag and it is a masterpiece. What you are about to see is not a computer animation, it’s a stop-motion animation using thousands of handmade foam models.
Peek behind the scenes, here.”
If you repeat the word ‘fly’ for long enough it sounds like you’re saying ‘life’. This is of no help to Peter. His answers lie in the brain of a beetle.
I would love this book, but it’s rare and very expensive :(
… And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
(via teaandbbc)
This is one of my favourite scenes in ‘Eternal Sunshine of the Spotless Mind’, when Joel is in a bookshop saying good-bye to Clementine , and as the memory fades away, so do all the books off the shelves…
(via loveyourchaos)
(Source: fyeahmovieclub, via excessgraphite)
Dead Poets Society (via livin4thenight)
(Source: gypsystevie)